Running through most of the city, it "starts" from the lagoon at the train station, makes a large S-shape through the central parts of Venice, and ends by the Canal of San Marco at Piazza San Marco (Saint Mark's Square). Basilica di Santa Maria della Salute stands at the junction between the two canals.
When a new doge was chosen, before he took the oath of investiture he was presented to the people with the formula "This is your doge, if it please you," preserving the constitutional fiction that the people of Venice ratified the selection. Yet in a real sense the doge was merely the highest servant of the greater community.
As the oligarchical element in the constitution developed, the more important functions of the ducal office were assigned to other officials, or to administrative boards, and he who had once been the pilot of the ship became little more than a figurehead. The last doge was Lodovico Manin, who abdicated in May 1797, when Venice passed under the power of Napoleon.
Maintenance was vital for the timber bridge. It was partly burnt in the revolt led by Bajamonte Tiepolo in 1310. It collapsed in 1444 under the weight of a crowd watching a boat parade and again in 1524.
Venetian ambassadors sent home still-extant secret reports of the politics and rumours of European courts, providing fascinating information to modern historians.
In the early fifteenth century, the Venetians also began to expand in Italy, as a response to the threatening expansion of Giangaleazzo Visconti, Duke of Milan. By 1410, Venice had taken over most of Venetia, including such important cities as Verona and Padua. The Venetians also came into conflict with the Popes over control of the Romagna. This led in 1508 to the League of Cambrai against Venice, in which the Pope, the King of France, the Holy Roman Emperor, and the King of Aragon came together to despoil the republic. Although the French were victorious at Agnadello in 1509, the coalition soon fell out among themselves, and Venice found itself without serious territorial loss.
In 1335, a 'Council of Ten' was established and became so powerful and secretive that by circa 1600 its powers had to be delimited1. Its powers varied over time, from subordinance to the Great Council to dominance over it.
The Crusaders and Venetians, incensed at the murder of their supposed patron, attacked the city once more in 1204. Alexius V, who had a much larger army, although it was much more poorly trained, marched his troops outside Constantinople and seemed to prepare for an all-out assault on the crusader force. As the crusaders panicked and armed everyone they could find, including cooks who wore their pots as helmets, Alexius V turned around and marched his army back into the city. It is possible that his foot soldiers were afraid of the western knights, who had defeated them earlier in the year in skirmishes outside the city, but the actual reason for Alexius' refusal to fight is unknown. Although Innocent III had again warned them not to attack, the papal letter was suppressed by the clergy, and the crusaders prepared for their own attack, while the Venetians attacked from the sea; Alexius' army stayed in the city to fight, along with the imperial bodyguard, the Varangians, but Alexius himself fled during the night.
The chief executive was the Doge (duke), who, theoretically, held his elective office for life. In practice, a number of Doges were forced by pressure from their oligarchical peers to resign the office and retire into monastic seclusion when they were felt to have been discredited by perceived political failure.
After a popular revolutions on 22 March 1848 (The Five Days of Milan), the Austrians fleed from Milan, which become the capital city of the Governo Provvisorio della Lombardia (Lombardy Temporary Government). The next day, also Venice arose against the Austrians, forming the Governo Provvisorio di Venezia (Venice Temporary Government). The Austrians, after defeating the Sardininan troops in Custoza (24-25 July 1848), entered in Milan (6 August) and Venice (24 August 1849), restoring Austrian rule.
Though the people of Venice generally remained orthodox Roman Catholics, the state of Venice was notable for its freedom from religious fanaticism and it enacted not a single execution for religious heresy during the Counter-Reformation. This apparent lack of zeal contributed to its frequently coming into conflict with the Papacy. Venice was threatened with the interdict on a number of occasions and twice suffered its imposition. The second, more famous, occasion was on April 27, 1509, by order of Pope Julius II
During the 20th century, when many artesian wells were sunk into the periphery of the lagoon to draw water for local industry, Venice began to subside. It was realised that extraction of the aquifer was the cause. This sinking process has slowed markedly since artesian wells were banned in the 1960s. However, the city is still threatened by more frequent low-level floods (so-called Acqua alta, "high water") that creep to a height of several centimeters over its quays, regularly following certain tides. In many old houses the ground floor is unoccupied due to the periodic floods, but people continue to live and work in the upper stories.
At the same time, however, the expansion of the Ottoman Turks in the Balkans and the Eastern Mediterranean proved threatening to the Venetians. In 1570, the Turks invaded Cyprus, which was conquered by 1571 despite the victory of the Holy League (including significant Venetian forces) at Lepanto later that year. The Venetians soon after made peace, confirming the loss of Cyprus. In the seventeenth century, Crete too was lost, after a long conflict.
The present stone bridge, a single span designed by Antonio da Ponte, was finally completed in 1591. It is remarkably similar to the wooden bridge it succeeded. Two inclined ramps lead up up to a central portico. On either side of the portico the covered ramps carry rows of shops. The engineering of the bridge was considered so audacious that architect Vincenzo Scamozzi predicted future ruin. The bridge has defied its critics to become one of the architectural icons of Venice.